This delightful short highlights the "art" in artificial intelligence.

What can you expect when you combine the strength of an AI image-generating machine, an elderly woman of 98 years of age named Lillian and Harry Potter? What do you get "HAIRYPOUTER is a feature film with a much shorter runtime from Chris Carboni. It features increasingly whimsical AI-generated images and an ode to the classic novel by a hilarious non-agenarian.

"Lillian is my grandma," claims Chris. "She has always had an intimate relationship with her and I've had her review for 10 to 15 years."

As AI image generators began dominating the internet around mid-2022, Chris noticed that the stars were colliding and create a brand new business that could benefit from his hours of being attentive and help him explore the possibilities of this latest technology. "I was overwhelmed by my conflicting thoughts about [these machines that I wanted to explorein more detail] and I was seeking an opportunity to learn about the technology," explains Chris. "At the the moment I was talking to my mother-in-law who had just finished her reading of the Harry Potter series, which I purchased to present her with a birthday present."

After that, the movie was put together by a nimble crew - "my grandmother and I, along with our sound designer , composer as well as the whole team" - - and the rest of the story is (futuristic) time. The capabilities of AI are constantly evolving at an alarming rate and we met with Chris Carboni to discuss the realm of AI as well as art.

The imagery in this video is incredible. What techniques did you utilize and how did you get the outcomes?

Chris Chris: We attempted MidJourney in the early days of its initial version. The first step was to enter Lillian's uncut words and following that, we would see what the program could generate using just the phrases from the interview. We loved the artistic way it came with in only two rounds of creating new images. Thus, I wrote down the characteristics of the direction in which it was created which was inspired by this picture it produced.

The first image we took was Ron sporting his long wavy hair, and he was stunning. It was a bit with shoulders raised. It was also evident that he did not have an outfit on. He just looked like this beach god. And when we saw the opportunity to snap Harry and Ron in a romantic pose, close to hugging, which we thought, "Oh, this is amazing."

The AI was allowed create these fascinating theories, when we discovered the one we liked, we instructed it to go along with this particular thread in order to make sure that it will always be entertaining and easy to follow.

How was it to apply AI to this incredibly human-centric tale?

Chris Chris: As I made this movie, I had a bit of concern [about AI[AI[AI]]. It was a pleasure using it on this specific project. I believe that this is a great use-case for this particular project as the use of AI was essential to the narrative.

This is what made it amazing, intriguing and distinctive. It's a little about the clumsy but charming relationship between AI and human beings. It wasn't the first time we decided to not put dollars in an illustrator, but instead tried to use AI instead. It was a work in which the use of artificial intelligence formed the foundation of storytelling.

Do you have a view on AI developing into a powerful force for creativity?

Chris: There's certainly something interesting about this, however it's definitely becoming more complex as these generators become so ubiquitous. They have the potential to be unleashed and extended into each one of these uses. This subject has become slightly more difficult than I think like it used to be in my understanding and opinions about the subject.

Anyone who is working in the creative field should consider the implications to their professional work and also be ready to admit that things will likely going to change. With this shift, will be opportunities for doing incredible innovations and the automation of a lot of the tasks we artists love. The thought of this makes me slightly sad, but you're being honest. I worry about art being diminished in value, and then becoming costlier than it is.

Would you use this technology to assist you in the near-term?

Chris Chris: Personally, I'm a massive lover of using AI to boost my email and to act as an personal assistant, able to answer questions, explaining complex ideas and completing repetitive jobs. For creative tasks though, I'm still not entirely sure. It isn't my intention to utilize it in the way that will replace the human potential on my teams. I believe that the results will not be as impressive.

Much of what we accomplish involves working with other humans. The entire process from beginning until the end of AI depends on the information generated by one's brain. Some cases may be fine In general, however, all projects benefit from an entire team of specialists working in tandem, each one bringing their own expertise as well as unique perspectives to the subject.

The most appealing use-cases I see are for generating preliminary ideas as well as starting the creation process. For example, raising funds to fund a project or demonstrating some initial concept work for getting something off of the foundation. For animation, it's crucial to be in complete control over the details of the set to create an artistic and imaginative motive. This level of control that required is most likely coming but it's not too far away.

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